![]() It was just as well, for Fred Gwynn and me and our hopes for the University of Virginia's Writer-in-Residence Program in 1955, that our memories of Charlottesville did not stretch back more than a few years. Doyle with a compendious study of the sources from which this artistic vision sprang, presenting Faulkner's county in root and branch from the seeds in early stories to the final flowering in the last novels. ![]() Forty years later came Joel Williamson's William Faulkner and Southern History. Others have continued to explore various aspects of Faulkner's art both narrowly and broadly. Miner's The World of William Faulkner (1952). As he meditated on it he discovered that "my own little postage stamp of native soil was worth writing about and that I would never live long enough to exhaust it, and by sublimating the actual into the apocryphal I would have complete liberty to use whatever talent I might have to its absolute top, so I created a cosmos of my own." It took many readers years to realize that his apocryphal Yoknapatawpha was basic to most of his best work. ![]() He quoted Sherwood Anderson's advice to him in New Orleans that he should go home and write about what he knew, that patch of north Mississippi where he grew up. Some of William Faulkner's remarks about his work are now almost as famous as some phrases in the work itself. ![]()
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